1.0哲子戲 Philosophist’s Camphttps://www.horace.org/bloghevangelhttps://www.horace.org/blog/author/hevangel-2/遇人不熟 - 哲子戲 Philosophist’s Camprich600338<blockquote class="wp-embedded-content" data-secret="TUIBd6Ut0t"><a href="https://www.horace.org/blog/2007/01/31/%e9%81%87%e4%ba%ba%e4%b8%8d%e7%86%9f/">遇人不熟</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.horace.org/blog/2007/01/31/%e9%81%87%e4%ba%ba%e4%b8%8d%e7%86%9f/embed/#?secret=TUIBd6Ut0t" width="600" height="338" title="“遇人不熟” — 哲子戲 Philosophist’s Camp" data-secret="TUIBd6Ut0t" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script>
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https://i0.wp.com/www.horace.org/blog/wp-content/uploads/2007/01/92002542.jpg?fit=450%2C654&ssl=1450654沒有大卡士的明星﹐沒有華麗的特技﹐零五年日本電影「遇人不淑」卻比其他大製作的爛片好看﹐因為它回歸一套好電影最根本的靈魂﹐就是一個好的劇本。二個小時的電影發生於一個晚上的時間﹐導演分別從三個角色的角度先後描述同一事件。難得是三部份的故事絲絲入扣﹐編織出一個出乎觀眾意料之外的結局。這齣電影沒有刻意加插笑料﹐但言語之