Evaluating is learning

I have been quite passive in Toastmaster for the past while. I did not show up to the meeting unless I have a speech or there is a special event. Last week, the chairman of today’s meeting ask me whether I help out as an evaluator. Since I have no reason to decline, I show up in the meeting to evaluate a speech. It was a CC#4 speech and the goal is to make good use of words. Although I have done this speech project before, it was almost 3 years ago, the speech project seems a like a stranger to me. Before the speech, I quickly went over the manual, check out the speech objectives.

Those objectives should be common sense to me. Namely, use short words and short sentence; be specify; use vivid language to draw a mental picture for the audience; use rhetorical device to spicy up the speech, avoid jargon, filter words and filter phrases. Yet I found myself do not pay enough attention to those basic objectives when I am working on my speech nowadays. I know how to write a good speech in theory, but I fail to deliver the end product most of time. Evaluating beginner’s speech helps me review some basic speech skills that I mostly forgotten or carelessly ignored. When I am giving the evaluation, I not only point problems in speech, I also have to give examples on how to improve it. It is just like teaching a student force you to know the material thoroughly, giving an evaluation force you to make a good example yourself. I an suppose an advance speaker in the club, but I still have lots to learn from the beginners.

亞視vs無線 – 如何打破慣性收視的困局

亞洲電視長期積弱﹐上個月還要遣散數百名員工﹐每晚平均收視只有聊聊數點。電視收看指數以總人口為一百點﹐一點收視就代表百分之一的人口收看。香港有七百萬人﹐一點收視是七萬人收看。無視坐擁貫性收視﹐高峰時節目收視可達四十點﹐平常也有三十多點。要打破一台獨大壟斷的現狀﹐就要有實力與無線平分秋色一較高下。參看最近的收視數告﹐比較受歡迎節目四十點收視﹐與不受歡迎節目如珠光寶氣的二十點收視﹐可以發現觀眾其實是會選擇好看的節目來看。無線的慣性收視並不是銅牆鐵壁﹐只要有好的節目也可以把無線攻下來﹐當年百萬富翁也曾贏一場三十點收視的漂亮勝仗。

慣性收視是無線的最大優勢﹐亦同時是它的最大弱點。看了這麼多年無線劇集的人﹐總會覺得不論劇集的題材是什麼﹐劇情總是熟口熟面。看頭幾集已經可以猜到結局﹐中段少看幾集也不會錯過什麼劇情。無線劇集每日播一集﹐像工廠那樣流水作業式生產﹐只能滿足節目質素沒有要求﹐只求電視有些映像來解悶的觀眾。亞視若果能夠攻破無線的劇集防線﹐其他節目亦會兵敗如山倒﹐再沒有慣性收視的優勢。只要打破一台獨大的局面﹐歌星明星合約限制也會崩潰。除了無線的親生仔外﹐其他歌星明星還不是看可以在電視宣傳的收視率份上﹐才肯簽那張不平等條約。反正亞視現在每年蝕錢﹐像把倒錢進一個無底深淵﹐遲早也會被陰乾。倒不如背水一戰﹐把五年的經費一年花光﹐搏贏便有機會番身﹐輸了也死得轟轟烈烈。

亞視在劇集戰要贏﹐絕不能重覆無線的模式應該走美日精裝劇集的路線﹐一星期只播一集﹐一星期五日天天不同劇集。一星期拍一集可以慢工出細貨﹐一星期有同時五套劇集﹐可以﹐給戲劇組盡情發揮的空間﹐讓他們的創意毫無限制地展現出來。不要重覆那些婆媽劇情﹐用心去編寫吸引觀眾獨特的故事﹐讓觀眾每個星期也有驚喜。反至無線劇集只是慣性收線﹐觀眾在沒有更好的選擇時才會看﹐那亞視就應該為觀眾提供一個更好的選擇。一個星期五天﹐五套不同劇集﹐五個不同類型﹐總有一款適合口味。亞視有喜歡看節目的那一天﹐便少看無線劇一集好了﹐反正少看一兩集也不會有什麼捐失。

其實香港新一代觀眾看日劇美劇長大﹐早已習慣了每星期一集的模式。只要有製作精美故事言之有物的劇集﹐香港出品的親切感已經可以把他們的眼球吸引過來。不要再把劇情浪費在配角的感情線上﹐全部時間放在主線劇情的推進。重金禮聘出色的編劇來寫劇本﹐律師戲的重點是法庭上針風相對的智慧﹐不是律師放工去酒吧泡妞攪男女關係。醫生劇的重點是醫療事件﹐帶出角色的道德和感情爭扎﹐也不是醫生放工攪男女關係。家族劇的重點是商場上的鬥法﹐不是公司以外婆媳如何對罵。香港觀眾其實對餓劇本的劇集已經餓了很久﹐只要亞視可以拍出美劇日劇級數的故事﹐平分收視並不是神話。

Confusion state of toothpaste

I ran out of toothpaste, so I have went to super market to buy a new one. Standing in front of the oral care aisle and I am confused. I don’t know which toothpaste should I buy. There are over thirty different kinds of toothpaste. I usually use Colgate, but even I ignore all other brands, there are still ten different kinds of Colgate toothpaste for me to choose. The product packaging is not very helpful. Other than I can tell the color and the taste of the toothpaste, I have no idea what those marketing jargon means or do they even have any meaning.

I try to read the fine prints on the toothpaste box and compare the difference in each of them. It turns out all toothpaste print the same boilerplate instruction on the box, it does not give me any useful information on the product itself. I can’t make up my mind when I don’t have any information to justify my decision. In the end, I resort to just looking at the price and buy the one that is on sale. If an average consumer like me can’t tell the difference among the products, what is the point for the toothpaste company making ten different kinds of toothpaste?

We are what we eat

I thought vegetarians who don’t eat meat are quite out of their mind. Then I met believers of Jainism who not only don’t eat meat, but also don’t eat any animal product like milk, honey or egg. Then I met the some weirdo who don’t eat any cooked or processed food. They only eat raw vegetables, fruits or nuts without any salad dressing. They claim all food has some sort of life energy which will disappear after cooking. Obviously no one with a right mind would believe in that superstitious non-sense﹐ yet I learn this stupid diet from a colleague who seems reasonable and intelligent. Maybe we can’t judge whether a person is a faddist or not from his appearance alone. You never know what ridiculous beliefs someone may hold inside his messed up brain.

According to anthropologist, eating meat and cooking food is what make us human as human. Human evolve to the top of the food chain and set us apart from other animals all thanks to meat and cooked food. Herbivores diet cannot supply the extra calories required to develop the brain of our prehistoric ancestors. Eating meat allow human to have huge brain with small guts that jump start human intelligence. Cooking breaks down starch molecules into more digestible fragment, break down amino-acid chain in protein molecules for the digestive enzymes and physically soften the food. Eating cooked food is more calories efficient, so human can further divert more energy for brain development. If human intelligence originates from eating meat and cooked food, then not eating meat or cooked food must be the lack of intelligence. Vegetarian, Jainism and raw foodist defy our human identify and evolutionary advantage. Their beliefs is on the verge of a dangerous path that lead us devolve back to animals.

Batman, The Dark Knight 蝙蝠俠黑夜之神

Dark Knight 若果不是Heath Ledger贏了奧斯卡最佳男配角﹐恐怕《黑夜之神》還要在我的硬碟不見天日好一段日子﹐慢慢排隊待我有空閒才開來看。不容否認Ledge的演譯很出色﹐把小丑戀態無常一面發揮得淋彌盡至。不過可能是我先入為主的觀念﹐始終Jack Nicolson才是我心目中永遠的小丑。看《黑夜之神》的時候有時不禁懷疑﹐蝙蝠俠只不過是個大配角﹐小丑才是這套電影的真正主角。動作場面故然由蝙蝠俠負責﹐但小丑則是把動作場面串連起來的靈魂。沒有小丑無常多變的陰謀﹐蝙蝠俠只不過個行行企企的特技人。

今集蝙蝠俠的動作指導交足功課﹐蝙蝠俠在香港夜空飛翔跳躍﹐最後用C-130運輸機拉線逃走很有噱頭。香港夜景比葛咸城還燦爛漂亮﹐大慨雙腳給重力綁在地上的香港人﹐與到從高空腑瞰的景色有不同感受。電單車那一場追逐戰也很不錯﹐不過對比上集蝙蝠車追逐那段遜色﹐最後以小丑與蝙蝠俠玩命終束。小丑賭蝙蝠俠不會殺死他﹐站立電單車正前方不動﹐蝙蝠俠最後果然扭軑閃避﹐結果撞車自傷收場。其實蝙蝠俠大可以學上集般瀟灑﹐說句我不會殺死你但也不會救你﹐然後自己跳車讓電單車撞死小丑﹐當然如果小丑死了戲也做不成了。

電影中的第二奸角雙面人﹐我認為編劇完全浪費了這個角色。在他未被小丑燒傷半邊面前﹐他作為蝙蝠俠的理想化身﹐代替他當葛咸城正義希望的像懲。後來他被小丑在醫院放了出來﹐從蝠蝠俠的影子淪為小丑的鬼儡﹐執意要為毀容和女朋友復仇。可惜他的復仇並不徹底﹐原本他擲毫的銀弊兩面相同﹐擲毫不過是一個戲劇化的小習慣﹐他決定了的事情便會付諸行動。慨然他決定了要為女朋友報仇﹐好應該把害死她的壞人統統殺掉﹐不必要依懶擲毫為他作決定。他從毀容前堅定不移的精神﹐到毀容後拿不定主意的改變﹐電影中的描述沒有足夠說服力﹐有點為求把角色配合漫畫原著﹐夾硬將他的性格從一個極端扭曲到另一個極端。

其實電影最精采的部份並非連場火爆的動作場面﹐而是小丑質問蝙蝠俠那幾段文戲﹐把蝙蝠俠本身亦正亦邪的矛盾表露無遺。很可惜蝙蝠俠只接受過忍者訓練﹐沒有接受過哲學訓練。小丑那是似是疑非的歪理﹐不過是拾存在主義論者的牙慧﹐蝙蝠俠可以用康德或維根斯坦去對應﹐不必被小丑的花言巧語所迷惑。面對小丑的質疑﹐也許用蝙蝠俠這個身份回答有點尷尬。在一般市民眼中蝙蝠俠與小丑同是怪人﹐會害怕是很自然的事。警方和政府對蝙蝠俠又愛又恨﹐一方面高興蝙蝠俠除暴安良﹐另一方要又怕他不受監管。只是蝙蝠俠忘記了自己的另一個身份﹐他除了是黑夜之神外﹐他還是權傾朝野的超級富豪。他白天的身份是葛咸城最有權勢的人﹐葛咸城差不多等同他的私人領地。蝙蝠俠根本不用著什麼大義名份﹐若果以領主的身份說話﹐他就有保護葛咸城的責任了。蝙蝠俠只是不過是領主的代理人﹐替他白天身份有效地管治葛咸城的手段。普通犯罪組織以利益為前題犯案﹐組成葛咸城地下經濟系統的一環﹐勉強來說也可以說是榮氏集團龐大利益體系的下游分支。小丑不按理出牌的作風﹐嚴重破壞葛咸城黑白兩道的平衡﹐直接影響榮氏集團的利益﹐蝙蝠俠當然要出手制裁小丑了。

很多電影評論喜歡談論小丑出的道德難題。如果蝙蝠俠不自揭身份﹐小丑便會每天殺一個人。若果不殺死上電視告密的律師﹐小丑便會炸毀一間醫院。要蝙蝠俠選擇救青梅竹馬的舊情人﹐還是救舊情人的新男友。其中最為人津津樂道是難題是兩個只能活一個。在兩隻船上裝搖炸彈﹐一隻船載著是普通市民﹐另一隻船載著監獄的囚犯﹐而兩隻船上有另一艘船的引爆器。很多人與蝙蝠俠一樣﹐對這些道德難題感到困繞﹐不知道應該如何作出正確的選擇。他們的目光受到小丑提供選擇的框框所限﹐看不到其實不只有兩個解決選擇。大慨只有雙面人看透小丑的技量﹐自編自導自認蝙蝠俠引小丑入局。蝙蝠俠太過拘泥於形式上的正義﹐他根本不用殺死小丑﹐只需要把小丑削成人棍﹐砍了他的四肢嚴刑迫供﹐便可以防止後來所有慘劇了。也許蝙蝠俠應該運用康德道德哲學﹐當小丑放棄身為人自主理性的責任時﹐他亦同時放棄受到道德公義保護的權利。蝙蝠俠大可以以其人之道還治其人之身。對著不講信用不講利益不講道德的瘋子﹐用任何手段去抹殺他才是最正確的選擇呢。